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Alan Davie was a painter, poet, jazz musician and jewellery designer.
London’s Tate Gallery described his canvases for an exhibition at Tate Modern as “the result of an improvisatory process that the artist relates to his love of jazz”.
Chris Riddell studied Illustration at Brighton Polytechnic. He has drawn covers for Punch, Economist, New Statesman and Literary Review. and is Political Cartoonist on the Observer newspaper.
Gwyther Irwin was an artist of great originality and invention who became head of fine art at Brighton College of Art in 1969, where he remained until 1984.
"In January 1979 I was appointed as Head of Fashion and Textiles at Brighton, moving to Courtaulds as Design Director in 1985. Two years later I was head hunted by Next to head up interiors and in 1989 I became Professor and Head of Fashion and Textiles at the Royal College of Art."
Spencer graduated in 1997 with a BA(Hons) Editorial Photography and quickly became known for his groundbreaking editorial style for The Face and Sleazenation magazines.
Peter Strausfeld was born in Cologne in 1910 and his engagement with expressionism, in the late 1920s and throughout the 1930s, defined his art. His life-long love of the woodcut and the linocut began here and his cinema posters are a natural reflection of this interest.
M.E.Cuddihy@brighton.ac.uk
Artist and writer Mikey Cuddihy uses autobiographical references in a struggle for harmony between the romantic vision of the artist and the reality of the individual. She often scales up intimate notes and sketches. Major exhibitions have shown her biro drawing, collage and paper cut-out work.
Bob Gordon worked at the University of Brighton as a lecturer on graphic design, typography, digitally enhanced and manipulated imagery and the digital assembly of publishing resources within the media of print. He is an author and consultant working in the field of typographic design and education.
Peter Richardson studied Illustration at Brighton Art College from 1972 to 1975.
Frederick Charles Herrick was a leading graphic artist following the First World War, having trained at Leicester School of Art and the Royal College of Art, London. He taught at Brighton for many decades.
Having a long association with Brighton, distinguished artist and illustrator John Vernon Lord was appointed Professor of Illustration in 1986, then Professor Emeritus. His picture book "The Giant Jam Sandwich" (1972) has become a classic while his illustrated edition of The Nonsense Verse of Edward Lear (1984) won two national awards.
Painter, art teacher and elder brother of Ronald Horton studied at Brighton School of Art on a scholarship between 1912 and 1916, passing the Department of Education drawing examination with a distinction in 1914.
"There is something about the light, freedom and openness of the college that makes Brighton a different place to any other. Its proximity to London and the internationalism of the young community give it an energy all of its own. I am proud to have worked there"
3D design tutor Sean Hetterley, was warmly remembered by colleagues for his murals at the annual Pottery Party.
Sean made a point of thoroughly researching the themes for his murals and he hoped that viewers grasped the literary allusions and intended parodies incorporated in them.
A.Jackowski@brighton.ac.uk
Internationally celebrated for his paintings, Professor Jackowski explores images of dispossession, loss and identity. At Brighton between 1987 and 2013, Jackowski's explorations of personal and collective memory are at the root of his researches into identities and cultures as handed on and explored through stories and images.
Laurence Scarfe worked in wide range of visual disciplines: book and magazine illustration, poster and wallpaper design, mural painting, fine art and ceramic decoration. He taught at the Central School of Art from 1945 to 1970, followed by a decade at Brighton Polytechnic, lecturing on the history of illustration and graphic design.
Gerald Fleuss is a freelance calligrapher, letterer, and illustrator specialising in heraldic design and painting, a practice which he started in 1974. He is a Fellow of the Society of Scribes and Illuminators and a member of the Art Workers’ Guild and the Double Crown Club.
Art and design historian, typographer, illustrator, designer, exhibition curator, critic and political activist, Ray Watkinson was most widely recognised for his work on socialist and designer William Morris coming to Brighton College of Art during a decade that witnessed the radical reshaping of art and design education.
"The first naked woman I ever saw was at Brighton School of Art. Having just been expelled from Brighton College as a conscientious objector, I set about arranging my own post ‘O level’ education. Evening life drawing classes at the Art College were high in the mix, taken by the gruff, but ultimately amiable, Patrick Burke."
"I came to study in Brighton... in order to find the furthest college from my home at which to study art. This method paid off, because I found a truly exceptional and open educational system that has stood me in good stead throughout my art career."
Louis Ginnett (1875-1946) was a painter primarily of portraits and interiors, a mural painter and a designer of stained glass. He exhibited widely in his lifetime, including at the Royal Academy, and was one of the British artists selected to be exhibited by the British Council in 1912 in Venice.
