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David Robson joined Brighton Polytechnic School of Architecture in early 1984. "The ethos of the School still owed much to its Arts and Crafts foundations with a structure of Beaux Art rationalism and clad with a layer of Bauhaus modernism."
Stuart Morgan's critical writings established him as a leading writer on the art of the 1980s and 1990s. Travelling widely in Europe and the United States, he was widely admired by many artists as a result of his sensitivity to, and careful interpretation of, their opinions.
Prof George Hardie produced the artwork for Led Zeppelin’s debut album (1969). As a partner at NTA Studios, he designed many iconic record covers with the design group Hipgnosis, working on Pink Floyd’s "Dark Side of the Moon" (1973) and "Wish You Were Here" (1975), the beginning of a highly successful career.
J.Seddon@brighton.ac.uk
Throughout her career, Jill Seddon was a pioneer and innovator in Design History as a field of academic enquiry, with major achievements in pedagogy and research, working in the field of women designers, craft design, public sculpture and urban development.
T.Hicks@brighton.ac.uk
Toni Hicks is a freeman of the City of London and a liveryman of the Worshipful Company of Framework Knitters. She has collaborated with several fashion designers and developed industrial links and is a major figure in the development of knitted textile education in Britain.
Having a long association with Brighton, distinguished artist and illustrator John Vernon Lord was appointed Professor of Illustration in 1986, then Professor Emeritus. His picture book "The Giant Jam Sandwich" (1972) has become a classic while his illustrated edition of The Nonsense Verse of Edward Lear (1984) won two national awards.
Gwyther Irwin was an artist of great originality and invention who became head of fine art at Brighton College of Art in 1969, where he remained until 1984.
Polly Dunbar has been Illustrating and writing childrens' books since she was an undergraduate. Her work, which includes Tilly and Friends, is both whimsical and humourous.
Louise Giblin was born in 1963 and lives and works on the East Sussex/Kent border. She graduated with a Fine Art Sculpture BA(Hons), also studying MA History and Theory of Modern Art at Chelsea College of Art. Her tutors at Brighton included the acclaimed sculptor Antony Gormley.
The dominant British silversmith in the second half of the twentieth century, Gerald Benney was born in 1930 in Hull. His early years were spent in Brighton, studying at the Art College (1946-48) where his father, the painter E A Sallis Benney, was Principal. Gerald was taught silversmithing by Dunstan Pruden,
William Bond was Head Master of Brighton School of Art from 1905 until his sudden death in 1918. An accomplished painter in both oils and watercolours, he had been a pupil teacher at the School prior to undertaking further artistic training in Paris. He exhibited regularly at the Royal Academy.
Book illustrator, painter and sculptor Juliet Kepes studied at Brighton School in the later 1930s. In the early 1950s Juliet began writing and illustrating children’s books, the first of which was Five Little Monkeys (1952). With connections to the Bauhaus movement, Juliet appeared in LIFE Magazine, and worked on a number of public projects.
Artist Alison Lapper studied at Brighton and was invited to become a member of the Mouth and Foot Painting Artists (MFPA) at the age of sixteen. She uses a range of media, from painting, photography and digital imaging to installation to explore her subjects.
Designer Anna Bullus studied 3D Design BA(Hons). Her work inspired by a passion for recycling and sustainability
A portrait painter in the neo-Romantic style, Gerald Mackenzie Leet was educated at Goldsmiths College, The Royal College of Art and the Courtauld Institute. He was given his first teaching appointment at Ealing School of Art.
M.E.Cuddihy@brighton.ac.uk
Artist and writer Mikey Cuddihy uses autobiographical references in a struggle for harmony between the romantic vision of the artist and the reality of the individual. She often scales up intimate notes and sketches. Major exhibitions have shown her biro drawing, collage and paper cut-out work.
Derby-born John Biggs was an educator and prolific illustrator and author, writing more than twenty books on various aspects of illustration, lettering, typography and calligraphy. He was Head of Graphic Design at Brighton from 1951 to 1974.
The childrens’ author and illustrator, Ian Archibald Beck studied at Brighton College of Art during the mid-1960s. In addition to his numerous children's books, Beck is also well known for his cover illustration for Elton John's, Goodbye Yellow Brick Road album which was released in 1973.
A well-known poster designer, illustrator and muralist, (Alfred) Clive Gardiner was trained at the Slade School of Fine Art (1909-12) and the Royal Academy Schools (1913-14). Following the First World War he trained as an art teacher before teaching at Brighton School of Art.
Alan Baker was a student of Graphic Design and Illustration from 1973-76. He taught on the foundation course and the Narrative illustration MA courses in its early days and spent seven years teaching part-time on the BA(Hons) Illustration course.
Ethel Mairet’s achievements can be seen not only in terms of her weaving and dyeing techniques, but also in terms of her ethnographic observations, her educational interests and her contributions to the meaning and value of ‘craft’ in the first half of the twentieth century.
