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"At Brighton I encountered one of the most creative undergraduate fashion textile design courses in existence and a new design history course, and learnt not only much about historical research but also about teaching practice. My PhD supervisor, Lou Taylor, took me in hand with immense generosity"
The childrens’ author and illustrator, Ian Archibald Beck studied at Brighton College of Art during the mid-1960s. In addition to his numerous children's books, Beck is also well known for his cover illustration for Elton John's, Goodbye Yellow Brick Road album which was released in 1973.
Stuart Morgan's critical writings established him as a leading writer on the art of the 1980s and 1990s. Travelling widely in Europe and the United States, he was widely admired by many artists as a result of his sensitivity to, and careful interpretation of, their opinions.
“In 1955 Alfred retired from the Admiralty to live in Brighton and work at the College of Art as lecturer and adviser. Until 1966 his tall figure, stooping a little from years of calligraphy, could be seen on special days moving punctually and deliberately up the hill to the Teacher Training Department."
"The first naked woman I ever saw was at Brighton School of Art. Having just been expelled from Brighton College as a conscientious objector, I set about arranging my own post ‘O level’ education. Evening life drawing classes at the Art College were high in the mix, taken by the gruff, but ultimately amiable, Patrick Burke."
"There is something about the light, freedom and openness of the college that makes Brighton a different place to any other. Its proximity to London and the internationalism of the young community give it an energy all of its own. I am proud to have worked there"
"Spare Rib was launched in June 1971 as the daughter of the underground press. The aim was not to discuss the dialectic of liberation but to help all women find their own identity. By then I had a small baby and was very aware of how much women had to juggle their lives."
Eiichi Kono's graphic design work in corporate identity, exhibition and publishing design has included consultancies for The Economist, WH Smith, Monotype, Arts Council, and Montblanc. He has led a team developing Japanese/Latin Open Type fonts for Microsoft Windows.
Laurence Scarfe worked in wide range of visual disciplines: book and magazine illustration, poster and wallpaper design, mural painting, fine art and ceramic decoration. He taught at the Central School of Art from 1945 to 1970, followed by a decade at Brighton Polytechnic, lecturing on the history of illustration and graphic design.
"I think it is fair to say that I have never deviated from the aims of the original Brighton expressive arts course (if there were any) of which I was part of the first year’s intake. Bemused tutors, perhaps not sure how this ghetto course would develop"
Born in 1933 and educated at Brighton Grammar School and Brighton College of Art (1949-1954), the artist and teacher David Chapman played an important role in the development of several aspects of the School of Art.
Gerald Fleuss is a freelance calligrapher, letterer, and illustrator specialising in heraldic design and painting, a practice which he started in 1974. He is a Fellow of the Society of Scribes and Illuminators and a member of the Art Workers’ Guild and the Double Crown Club.
ams34@brighton.ac.uk
Typographer Tom Sawyer is a historian and practicing graphic designer.As a historian he is a specialist in letterforms, notably the Tudor introduction of humanistic roman and italic letterforms in place of gothic letters. He runs his own graphic design practice and has been in higher education since the 1960s.
Native of Brighton and a teacher at Brighton School of Art in the 1960s, Raymond Briggs trained at the Wimbledon School of Art and the Slade. Since 1957 he has been an illustrator and writer, mainly of children’s books but also adult political satire, stage plays and radio plays, producing iconic work including "The Snowman" and "When the Wind Blows."
Addison Cresswell was a highly successful comedy agent credited with steering the careers of stand up "alternative' comedians into mainstream radio and television during the 1980s.
Art and design historian, typographer, illustrator, designer, exhibition curator, critic and political activist, Ray Watkinson was most widely recognised for his work on socialist and designer William Morris coming to Brighton College of Art during a decade that witnessed the radical reshaping of art and design education.
Chris Riddell studied Illustration at Brighton Polytechnic. He has drawn covers for Punch, Economist, New Statesman and Literary Review. and is Political Cartoonist on the Observer newspaper.
Taught at first by David Bomberg, Creffield went to the Slade 1957-61. His work is held in a number of collections including the Tate Gallery, Arts Council England and the Government Art collection.
B.Brown@brighton.ac.uk
Professor Bruce Brown retired from the university in January 2016, having been Pro-Vice-Chancellor for Research, former Dean of the College of Arts and Humanities and a Professor of Design. He worked extensively with national research policy and assement, worked as a practicing designer for some years and specialised in design research with an emphasis on the social and cultural effects of visual
Helen Chadwick studied on the sculpture course at Brighton Polytechnic from 1973 to 1976. She went on to complete an MA at Chelsea, and then quickly became a kind of proto-yBa (young British artist), making installations addressing the power/gender relations inherent in specific environments. She gained celebrity with her autobiographical installation Ego geometria sum (1982-4)
Lucy Cousins is one of the world's best-known author-illustrators. She specialises in books for the pre-school age group and has received global success for her bold and humorous books and vibrant characters, most notably for her creation Maisy Mouse.
