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Taught at first by David Bomberg, Creffield went to the Slade 1957-61. His work is held in a number of collections including the Tate Gallery, Arts Council England and the Government Art collection.
Alan Davie was a painter, poet, jazz musician and jewellery designer.
London’s Tate Gallery described his canvases for an exhibition at Tate Modern as “the result of an improvisatory process that the artist relates to his love of jazz”.
Laurence Scarfe worked in wide range of visual disciplines: book and magazine illustration, poster and wallpaper design, mural painting, fine art and ceramic decoration. He taught at the Central School of Art from 1945 to 1970, followed by a decade at Brighton Polytechnic, lecturing on the history of illustration and graphic design.
J.Grey@brighton.ac.uk
Internationally acclaimed bookbinder Jenni Grey has been President of Designer Bookbinders and has regular contracts to bind the Mann Booker winning novel. She won the Sir Paul Getty Bodleian Bookbinding Prize in 2009. She works with materials such as wood and metal, and techniques such as embroidery.
A graduate of the old Brighton Grammar School and Brighton School of Art, Conrad Heighton Leigh went onto the Slade School of Art in London and the Academie Julian before making a career in painting, murals and poster design as well as book illustration. He lived and worked in Brighton in the early twentieth century.
"There is something about the light, freedom and openness of the college that makes Brighton a different place to any other. Its proximity to London and the internationalism of the young community give it an energy all of its own. I am proud to have worked there"
Book illustrator, painter and sculptor Juliet Kepes studied at Brighton School in the later 1930s. In the early 1950s Juliet began writing and illustrating children’s books, the first of which was Five Little Monkeys (1952). With connections to the Bauhaus movement, Juliet appeared in LIFE Magazine, and worked on a number of public projects.
A highly respected topographical landscape painter, Charles Knight was an important figure in Brighton School of Art over many decades. He attended Brighton School of Art (1919-23) where he was particularly influenced by painter Louis Ginnett and architect John Denman.
“In 1955 Alfred retired from the Admiralty to live in Brighton and work at the College of Art as lecturer and adviser. Until 1966 his tall figure, stooping a little from years of calligraphy, could be seen on special days moving punctually and deliberately up the hill to the Teacher Training Department."
Hywel James was a fine art student at Brighton College of Art between 1962 and 1967. "I thought that a general education through the practice of art and design was both legitimate and rewarding, and so it proved to be. At Brighton I grew up, gained a measure of confidence in myself and my capabilities."
David Robson joined Brighton Polytechnic School of Architecture in early 1984. "The ethos of the School still owed much to its Arts and Crafts foundations with a structure of Beaux Art rationalism and clad with a layer of Bauhaus modernism."
ams34@brighton.ac.uk
Typographer Tom Sawyer is a historian and practicing graphic designer.As a historian he is a specialist in letterforms, notably the Tudor introduction of humanistic roman and italic letterforms in place of gothic letters. He runs his own graphic design practice and has been in higher education since the 1960s.
"I have illustrated many books in different media, but have always had a preference for my engraved work. In the last 15 years I have concentrated more on this area, particularly in children’s books, where I engrave both on wood and vinyl: I print and collage using textured surfaces mainly from the wood plank."
Spencer graduated in 1997 with a BA(Hons) Editorial Photography and quickly became known for his groundbreaking editorial style for The Face and Sleazenation magazines.
Peter Strausfeld was born in Cologne in 1910 and his engagement with expressionism, in the late 1920s and throughout the 1930s, defined his art. His life-long love of the woodcut and the linocut began here and his cinema posters are a natural reflection of this interest.
J.Seddon@brighton.ac.uk
Throughout her career, Jill Seddon was a pioneer and innovator in Design History as a field of academic enquiry, with major achievements in pedagogy and research, working in the field of women designers, craft design, public sculpture and urban development.
"At Brighton I encountered one of the most creative undergraduate fashion textile design courses in existence and a new design history course, and learnt not only much about historical research but also about teaching practice. My PhD supervisor, Lou Taylor, took me in hand with immense generosity"
Going onto a career in film at UCLA, Sandra Lawton attended the Brighton College of Art's programme for gifted children between 1958 and 1965. 'The old Grand Parade building was inspiringly atmospheric with the projects, colorful students, interesting faculty and the smell of the paint and materials...'
Julien Macdonald studied fashion knit wear at The University of Brighton, which lead to him receiving a scholarship for the Royal Collage of Art. His creative vision has inspired international acclaim for injecting a high dosage of glamour back into the fashion industry.
A.Jackowski@brighton.ac.uk
Internationally celebrated for his paintings, Professor Jackowski explores images of dispossession, loss and identity. At Brighton between 1987 and 2013, Jackowski's explorations of personal and collective memory are at the root of his researches into identities and cultures as handed on and explored through stories and images.
Illustrator Andrew Restall worked from 1964 for the Post Office designing stamps and building on an existing interest in typography and printing processes. From 1975 to 1990 he ran the illustration option of the BA (Hons) Visual Communication course at Brighton Polytechnic.
