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Designer Anna Bullus studied 3D Design BA(Hons). Her work inspired by a passion for recycling and sustainability
Ronald Horton was an artist, collector and highly successful Head of the Art Teacher Training Department at Brighton College of Art from 1944 to 1966. Brighton’s Art Teacher Training Course under Ronald Horton was one of the most successful in Britain, attracting students from all over the world.
Hand-weaver, artist and teacher, Barker moved to Brighton in 1959. Her silk and wool abstract hangings were shown in the exhibition ‘Weaving for Walls’ at the Victoria and Albert Museum in 1965. She showed her work with the Brighton Phoenix Group from late 50s to 1982.
Artist Alison Lapper studied at Brighton and was invited to become a member of the Mouth and Foot Painting Artists (MFPA) at the age of sixteen. She uses a range of media, from painting, photography and digital imaging to installation to explore her subjects.
Eiichi Kono's graphic design work in corporate identity, exhibition and publishing design has included consultancies for The Economist, WH Smith, Monotype, Arts Council, and Montblanc. He has led a team developing Japanese/Latin Open Type fonts for Microsoft Windows.
D.Clews@brighton.ac.uk
After registering as an architect, David Clews spent ten years in practice before becoming a full-time academic. He joined the University of Brighton in 2000, as a Principal Lecturer, to lead the Academic Programme in Architecture & Interiors.
"There is something about the light, freedom and openness of the college that makes Brighton a different place to any other. Its proximity to London and the internationalism of the young community give it an energy all of its own. I am proud to have worked there"
Brendan Neiland is one of Britain's foremost and contemporary painters and printmakers represented in major museums and galleries worldwide including, in Britain, The Victoria and Albert Museum, The Tate Gallery London, The Collections of the British Council and the Arts Council of Great Britain.
A highly respected topographical landscape painter, Charles Knight was an important figure in Brighton School of Art over many decades. He attended Brighton School of Art (1919-23) where he was particularly influenced by painter Louis Ginnett and architect John Denman.
Paddy Considine graduated with a BA(Hons) in Photography and is an actor and BAFTA winning film director. Whilst still a student, Considine had a series of photographic portraits published in the Guardian. The film that brought him this acclaim, 'Tyrannosaur', is a social-realist study of a self-destructive man who earns a chance of redemption through Hannah, a Christian charity shop worker.
Keith Coventry studied Fine Art in Brighton from 1978 to 1981 before moving to do his MA at Chelsea School of Art. A painter, sculptor and curator, his fame as an artist began to spread with support from Charles Saatchi, who featured him in the Sensation exhibition in 1997.
Starting with the most intimate of design objects, jewellery, I made pieces to be worn next to the body, to be handled and changed by the handling. This led to using clothing forms, objects that followed or deviated from the human form, and which acted as metaphor for a person. At the same time, I started to work with choreographers, making garments and sets for dance.
"I have illustrated many books in different media, but have always had a preference for my engraved work. In the last 15 years I have concentrated more on this area, particularly in children’s books, where I engrave both on wood and vinyl: I print and collage using textured surfaces mainly from the wood plank."
"The degree was Design History... I had spent a good deal of time making music, but I had reached an impasse in that singularly unforgiving industry and so, seeking a change of direction that was underpinned by a healthy interest in the visual arts and design, I signed up for the course at Brighton."
Peter Richardson studied Illustration at Brighton Art College from 1972 to 1975.
Artist Robin Plummer was Dean of Faculty in Brighton from 1975 to 1989, responsible for the structure under the new polytechnic and for the Grand Parade site and its annexes.
Spencer graduated in 1997 with a BA(Hons) Editorial Photography and quickly became known for his groundbreaking editorial style for The Face and Sleazenation magazines.
"I came to study in Brighton... in order to find the furthest college from my home at which to study art. This method paid off, because I found a truly exceptional and open educational system that has stood me in good stead throughout my art career."
"1963. I am 31, a London County Council architect commuting to Brighton to teach one day a week in the School of Architecture first year, up in the attic studios of the old College of Art, Grand Parade. "The air is heady, the floors paint covered. We are indeed all collegiate, students, technicians and tutors together, painters, illustrators, sculptors, architects, bound by a striving for Design."
Art and design historian, typographer, illustrator, designer, exhibition curator, critic and political activist, Ray Watkinson was most widely recognised for his work on socialist and designer William Morris coming to Brighton College of Art during a decade that witnessed the radical reshaping of art and design education.
J.Seddon@brighton.ac.uk
Throughout her career, Jill Seddon was a pioneer and innovator in Design History as a field of academic enquiry, with major achievements in pedagogy and research, working in the field of women designers, craft design, public sculpture and urban development.