TECHNE Students 2017-18
Edward Armston-Sheret
‘Wild things in wild places’: British cultures of extreme exploration, 1851–1913
Royal Holloway, University of London
2017
Irene Artegiani
Machine Translation and multilingual subtitling: the role of post-editors in the creative industries.
University of Roehampton, London
2017
Rebecca Atkinson
Exploring the role of Music Therapy in enhancing the lives of children with Neuronal Ceroid Lipofuscinosis (Batten Disease)
University of Roehampton, London
2017
Martina Borghi
The Italian movement of Kinetic and Programmed Art: a relationship between Art and Science
Royal Holloway, University of London
2017
Sophie Bullen
The Deformed Transformed: Congenital deformity in nineteenth-century narratives
Royal Holloway, University of London
2017
Mollie Clarke
Female Cross-Dressing, Genre and Popular Literary Forms from 1830 to 1900
University of Roehampton, London
2017
William Coles
Ambassadorial Speeches in the Hellenistic Period: The Evidence of Polybios and Inscriptions
Royal Holloway, University of London
2017
Robin Craig
Assimilation or Resistance: The Medicalised Body in 21st Century
University of Roehampton, London
2017
Hayley Dawson
Live interlingual subtitles as a means to improve access for foreign and deaf and hard-of-hearing audiences.
University of Roehampton, London
2017
Katherine Devine
Crafting a Nation: The role of Art, Craft, and Design in Constructing Post-war Italian Identities
Royal Holloway, University of London
2017
Caroline Douglas
Retouching The Archive: Gender and Class in Early Photography in Scotland
Royal College of Art, London
2017
Angeliki-Myrto Farmaki
The Science of Ghosts: Breaching the Psycho-Cinematic Frame
Kingston University, London
2017
Alessandra Ferrini
Expanded documentary, real-time news and the historicisation of the present
University of the Arts, London
2017
Francis Gene-Rowe
Vision, History, Episteme: William Blake and Philip K. Dick’s Transformations of Modern Reality
Royal Holloway, University of London
2017
Bonnie Graham Betts
Blurring the Boundaries: Nuns, Early Modern Women and Writers
University of Surrey
2017
Christopher Griffin
Crises of Citizenship in Contemporary Fiction
University of Brighton College of Arts and Humanities
2017
Bruce Haines
Alternative Methods of Supporting Artists in the Commercial Sector
Kingston University, London
2017
Evan Harris
Disorder Order Disorder: A creative-critical essay study of contemporary psychiatric identities
Royal College of Art, London
2017
Louis Hartnoll
Art as Fait Social; Theodor W. Adorno, G.W.F. Hegel and the Problem of Art and the Social
Kingston University, London
2017
William Jamieson
Granular Geographies of Endless Growth: Singapore and the Spatial-Cognitive Fix
Royal Holloway, University of London
2017
Seoyoung Kim
Eadweard Muybridge: An evaluation of his legacy and the collection bequeathed to Kingston Museum
Kingston University, London
2017
Anja Kirschner
Anamersion: Traversing Structurations of Organismic and Technological Individuation with and through Unica Zürn, Kathy Acker and Porpentine Heartscape
Royal College of Art, London
2017 -
Ilaria Martello
Space, Body, Costume: a re-framing of costume as a spatial and temporal dynamic in contemporary ballet through a philosophical reading of spatial relations and the body
University of the Arts, London
2017
Anna Meadmore
NInette de Valois: a re-examination of her early career in British theatre, her formation and leadership of the Vic-Wells Ballet School and Company, between 1918-40.
Royal Holloway, University of London
2017
Matthew Mordue
Hues of Thought: Darkness and Light in Pliny’s Letters
University of Roehampton, London
2017
Katherine Mortimer
Pan-Mediterranean Study of the Representation of Christian-Muslim Negotiations in Western Sources, c.1050–c.1300.
Royal Holloway, University of London
2017
Joana Neves
On the indexical line: a dialogic study of 1960s abstract art through the scientific imagery of the photographic innovator Etienne-Jules Marey (1830-1904)
Kingston University, London
2017
Gursimran Oberoi
Global Watts: Allegories for All (1880-1980)’, providing the first comprehensive assessment of the international importance and influence of British artist George Frederic Watts (1817-1904)
University of Surrey
2017
Kristin O'Donnell
Participatory Practices of Memory: Memorialising the Great War in Britain During the Centenary Moment
2017
Miriam Phelan
Crisis, Commemoration and Dress: Designing Memory of the Revolutionary Period in Ireland.
Royal College of Art, London
2017
Itoiz Rodrigo-Jusue
Imaginaries of risk and radicalisation in the UK 'war on terror' (2005-2017)
University of Roehampton, London
2017
Ilona Sagar
Active bodies difficult objects: The language of health and wellbeing in a new bio-political era
Royal College of Art, London
2017
Harriet Salisbury
We Belong to the Streets - a YA novel about growing up in the East End in the turbulent 1880s
University of Roehampton, London
2017
Armelle Skatulski
Archive Sub-versions: Photography, the Accident, and the Logic of Production
Royal College of Art, London
2017
Christina Soderberg
Using depth of field to guide attention and convey narrative structure
Royal Holloway, University of London
2017
Sylvia Solakidi
From non-time to the presence of a timescape: transformations of the experience of contemporaneity in durational theatre and performance.
University of Surrey
2017
Tommaso Speretta
Alternative AIDS Video: the representation of the AIDS crisis in independent art video and film in the 1980s and 1990s London–New York
University of the Arts, London
2017
Claire Louise Staunton
An investigation into artists’ collaborations with modernist new town masterplanners in the UK between 1955 and 1975, and a curatorial project initiating collaborative practices between artists and masterplanners today.
Royal College of Art, London
2017
Anushka Tay
Chinoiserie Outside China 1945-present: How have British Chinese people experienced and demonstrated their relationship to their Chinese heritage through dress?
University of the Arts, London
2017
Rachael Utting
Collecting Leviathan: curiosity, exchange and the Southern Whale Fleet (1775-1860)
Royal Holloway, University of London
2017
Sarah Worgan
Monstrous resurrections: Frankenstein’s legislative legacy.
Kingston University, London
2017
Kim Walker
Biocultural collections and networks of knowledge exchange in the 19th century: the quest for quinine
Royal Holloway, University of London
2017
Anna Adahl
The aesthetics and politics of crowd simulations generated by computational software and algorithms.
Royal College of Art, London
2017
Wayne Binitie
Aesthetics of Water - Re-calibrating the perception of glacial water through audio-visual contemporary art practice
Royal College of Art, London
2017
Simon Mackmin
Pathways to the social bond Autistic perspectives on managing life and employment
Kingston University, London
2017 -
Charlotte Warne Thomas
Golden Age; On the contemporary agency of gold
Kingston University, London
2017 -
Frankie Kubicki
A Paper World: The Collection and Investigation of Plant Materials for Paper Making, c.1830-1914
Royal Holloway, University of London
2017