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Techne Students list


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A-Z listing of all students

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Holly Antrum

Writing a lens: how might the formal structures of the film archive be subverted through fictioning within artist moving image?

Kingston University, London

2018 -  

 

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Judah Attille

Africandescence: How does a Sankofa aesthetic function in a British black female reading of avant-garde films?

University of the Arts, London

2018 -  

 

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Wayne Binitie

Aesthetics of Water - Re-calibrating the perception of glacial water through audio-visual contemporary art practice

Royal College of Art, London

2017  

 

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Juliette Blightman

Cool Sex (Sexe Cool); a practice-based investigation of autobiography and technology, through a century of feminist literature.

Royal College of Art, London

2018 -  

 

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Martina Borghi

The Italian movement of Kinetic and Programmed Art: a relationship between Art and Science

Royal Holloway, University of London

2017  

 

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Jessica Boyall

Black, British and Feminist: The History and Legacy of Ceddo, Sankofa and the Black Audio Film Collective

Royal Holloway, University of London

2021  

 

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Victoria Burgher

Crafting counter-hegemony: using porcelain to interrogate constructed ideologies of whiteness and empire

University of Westminster

2021  

 

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Giulia Casalini

Counter-histories of Queer-feminist Live Art: A Transversal Cartography

University of Roehampton, London

2019  

 

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Sunil Chandy

Hearing Plurality in Scripture: Using Sound Art Practice to draw out pluralities implicit in the ritual public reading of Christian Scripture

University of the Arts, London

2018 -  

 

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Queenie Clarke

Designing for Dignity, Ownership and Representation: new approaches to the inclusivity of the homeless community.

University of Brighton

2021  

 

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Lucy Coggle

Shimmering the Screen - Surface tension and perpetual vacillation in the digital image.

Kingston University, London

2014  

 

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Katherine Devine

Crafting a Nation: The role of Art, Craft, and Design in Constructing Post-war Italian Identities

Royal Holloway, University of London

2017  

 

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Naomi Dines

Re/materialising the imaginary artefact: exploring the role of digitisation, visualisation and materialisation in object-based art practice.

University of the Arts, London

2020  

 

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Katie Docwra

Feminine Singular: Post-Feminist Re-viewings of the Nouvelle Vague through Paule Delsol’s Lost Work

Royal Holloway, University of London

2018 -  

 

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Jennifer Doveton

Middle-class subjectivity and moral value in popular British screen fantasy.

Brunel University, London

2021  

 

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Kate Fahey

Unruly Encounters: Restaging Images of Drone Warfare through an Embodied Art Practice.

University of the Arts, London

2016 -  

 

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Angeliki-Myrto Farmaki

The Science of Ghosts: Breaching the Psycho-Cinematic Frame

Kingston University, London

2017  

 

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Alessandra Fasoli

Craft in Makerspaces: The Potential for Social Change for Sustainability

Kingston University, London

2019  

 

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Alessandra Ferrini

Expanded documentary, real-time news and the historicisation of the present

University of the Arts, London

2017  

 

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Andrea Foffa

Exhibition design as an interdisciplinary practice for research and contamination: The context of Italian designers, 1960-1980

Kingston University, London

2018 -  

 

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Mayra Martin Ganzinotti

Moving bodies: Exploring Empathy, Affect, and the Kinaesthesia in the Corporeal Surface

Royal College of Art, London

2018 -  

 

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Emma Gradin

Slow Works - Deceleration as Curatorial Paradigm

University of the Arts, London

2017  

 

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Keira Greene

Choreographic Strategies in Moving Image Practice. Task-based improvisation and Somatic Inquiry

Kingston University, London

2018 -  

 

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Caroline Hamilton

Les Ballets 1933: collecting, exhibiting and performing the avant-garde

University of Brighton

2018 -  

 

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Felicity Hammond

Portals in the Urban Terrain: excavating the virtual ruins of rendered architectural propositions

Kingston University, London

2016 -  

 

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Isabelle Held

The Bombshell Assembly Line: military-industrial materials research and the syntheticisation of women’s bodies in the USA. 1939-present

Royal College of Art, London

2016 -  

 

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Alice Helps

Embodied perception and experience of scenography in live arts practices

University of Roehampton, London

2016 -  

 

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Patrick Henry

Art Biennials: Towards an Alternative Curatorial Logic

Kingston University, London

2019  

 

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Onyeka Igwe

Activating the Document: strategies of critical proximity in archive based moving image work

University of the Arts, London

2016 -  

 

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Simon Josebury

Re-routing Disinterest

Kingston University, London

2016 -  

 

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Samuel Kaufman

Entangling Umwelten: Towards a New Ecology of Machine Learning, Moving Images and Nonhuman Worlds

Kingston University, London

2021  

 

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Anja Kirschner

Anamersion: Traversing Structurations of Organismic and Technological Individuation with and through Unica Zürn, Kathy Acker and Porpentine Heartscape

Royal College of Art, London

2017 -  

 

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Robin Kirsten

Museums of Infinite Relations: artist's spaces, worlds and models of the universe

Royal College of Art, London

2016 -  

 

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Katherine MacBride

Empathic Listening/Radical Listening: learning from feminist and decolonial contemporary arts practices through artistic research.

University of the Arts, London

2019  

 

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Kate McCallum

An Artist Explorer in Mathematics: Investigating Spatial and Sculptural Elements in the Communication of Topology

University of Brighton College of Arts and Humanities

2016 -  

 

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Liz K Miller

Sylvan Sounds: Exploring the Acoustic Forest through Visual Fine Art

Royal College of Art, London

2018 -  

 

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Rupert Norfolk

The Mobility of Facts

Kingston University, London

2016 -  

 

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Flora Parrott

Knowing the Underground: Science, Exploration and Embodied Engagements with Subterranean Spaces.

Royal Holloway, University of London

2016 -  

 

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Amardeep Rai

Making reading fleshly: how can the body become a reading tool in the cognitive process of constructing meaning through movement, emission and mapping explored through interactive art works

University of Surrey

2015 -  

 

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Irene Revell

Performing ‘Womens Work’: what constitutes a feminist performance score and how does it extend our understandings of contemporary art practices?

University of the Arts, London

2016 -  

 

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Ilona Sagar

Active bodies difficult objects: The language of health and wellbeing in a new bio-political era

Royal College of Art, London

2017  

 

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Louise Sands

Social Science Fiction the Alternative Reality

Kingston University, London

2018 -  

 

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Devika Sharma

Design Activism – Exploring Creative Repertoires for Public Participation

Loughborough University

2021  

 

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Christina Skarpari

Tangible Changes in Intangible Cultural Heritage Preservation: Using experience-based co-design to inform cultural policy-making practice.

University of the Arts, London

2019  

 

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Armelle Skatulski

Archive Sub-versions: Photography, the Accident, and the Logic of Production

Royal College of Art, London

2017  

 

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Timothy Smith

Queering of Memory/Temporality/Subjectivity: Subversive Methods in Audiovisual Practice

University of the Arts, London

2016 -  

 

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Syma Tariq

Listening across history: Partition, coloniality and the oral archive

University of the Arts, London

2018 -  

 

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Dani Trew

Socialist Dress Reform in Britain, 1880-1914

University of Brighton

2021  

 

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Charlotte Warne Thomas

Golden Age; On the contemporary agency of gold

Kingston University, London

2017 -  

 

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Siegmar Zacharias

Posthuman Poetics as Ethics

University of Roehampton, London

2018 -