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A B C D E F G H I J K L M N O P R S T U V W X Y Z
Alternative Methods of Supporting Artists in the Commercial Sector
Queer as Friends: rewriting the platonic-romantic relationship binary between women
The professionalisation of floral design in London 1935 to 1960
In/visible dances: Commuters’ choreographies as social cartography
Diagnosing Gender: Queer subjectivities and technologies of embodiment
Les Ballets 1933: collecting, exhibiting and performing the avant-garde
Portals in the Urban Terrain: excavating the virtual ruins of rendered architectural propositions
Narrative navigatio of former nuns: Exploring stories of transgression, reflexivity and transcendence through life history
What does it mean to have a musician’s ear? Listening to musicians
Reasonable men might have acted likewise: a practice-based investigation of the Strangeways Prison protest
Measurement, invariance and representation in Cavaillès, Desanti and Vuillemin
Disorder Order Disorder: A creative-critical essay study of contemporary psychiatric identities
Art as Fait Social; Theodor W. Adorno, G.W.F. Hegel and the Problem of Art and the Social
The Impact Of Cultural Policies in New Towns: An Urban Ethnomusicological Case Study Of Cergy-Pontoise (1965-Present Day)
The Bombshell Assembly Line: military-industrial materials research and the syntheticisation of women’s bodies in the USA. 1939-present
Embodied perception and experience of scenography in live arts practices
Conditions of Receptivity: Intimate, Indeterminate and Interminable Cinemas of Encounter
Art Biennials: Towards an Alternative Curatorial Logic
All Women in Greek Myth: Finding Inclusive Feminist Theoretical Frameworks for Greek Mythology in Reception and Popular Culture
Writing Socialist Feminism: Women Activists and the Novel, 1887-1908
The Vocabulary of Touch: Encountering Otherness through Contact Improvisation
The Language of Birds: Representing beyond-human communication, mediated through the lacerated body
Cold Love: Can screened depictions of love between humans and robots legitimately contribute to debates regarding socio-ethical implications of HRI
Collective Space: Feminist Film and Video Collaborations, Collectives and Organisations, 1970-1986 and their contemporary relevance.
The making of a global arboretum: the case of the Royal Botanic Gardens, Kew
Sounds from Outside: Mapping Transnational Communities in Contemporary Experimental and Exophonic Poetry
Choreography as Curation as Hosting: Relational complexities and modes of production in an expanded field of practice
Carousel of Consumption: design and meaning of retail spaces as platforms for value co-creation in circular fashion systems