- 1908
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- Aggregating the Student Voice
- Aesthetics of protest: Visual culture and communication in Turkey
- Barrier Solutions
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- Breathing City
- Brighton Fuse ‘Fusebox’ Knowledge Exchange Project (2014-15)
- Brighton Fuse
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- Culture, Sport and Wellbeing - What Works for Wellbeing Programme
- Digital Policy: Connectivity, Creativity and Rights - ESRC Seminar Series
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- Drawing as a pedagogical tool
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- Discovering Digital Me: Forging Links across Digital Identity, Digital Literacy and Digital Economy (2011 - 2013)
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- Flax – Increasing its Value for Society
- Graphic Brighton
- Here Today - Moving Images of Climate Change
- Healing War Through Art
- Hide
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- The Role of Iconicity in Language Learning
- Improving Exercise Devices for Patients with Rheumatoid Arthritis
- Innovation for Renewal (IFORE)
- INTERREG IVA ProjectFlax
- Invisible Machines
- LGBT Queer Life Research Hub
- LiVi
- MacDonald Gill
- Mobility of the Line / Utility of the Line
- Networks - Subject Centre Magazine
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- Our Dancing Feet: Regent Dancehall/Wintergarden
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- Placemakers Space
- Portland Sculpture and Quarry Trust: Memory Stones
- Ryerson Brighton image exchange
- Research news archive
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- StoryA | STORY Abroad
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- Tempus Esprit
- Transnational perspectives on women's art, feminism and curating
- The Centre for Screendance
- The Craft of the Woods: A New Cultural History of the British Woodcraft Movement
- The Design Education Association
- Traces of Nitrate
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- Urban Transformations Pathways from Practice to Policy
- VI-Suite
- Visual Learning Project
- The People's Pier: The popular culture of pleasure piers and cultural regeneration through community heritage
Home » Projects archive » CETLD » Desire, possibility and pragmatism » Design Education Book
Design Education Book
A study exploring the projects funded by the CETLD from an ‘outsider’ perspective
Project leader: Dr Philippa Lyon
This study explores the projects funded by the CETLD from a type of ‘outsider’ perspective. It aims to re-articulate the findings of these projects in non-specialist terms and analyse the researchers’ experiences: it also aims to identify thematic relationships and contrasts. Using an ethnographic approach, both formal reports and experiential accounts of the research are being analysed.
The vehicle for the research will be a book for audiences from different fields and sectors. This book will raise issues of day-to-day interest and relevance to HE teachers and students of Design subjects, educators linked to museums and special collections, colleagues in other Art & Design-related CETLs and managers of Art & Design provision in higher education.
By taking a non-specialist perspective, the book will also aim to interest a range of designers outside HE, including those with a more general interest in Design education.