Selected bibliography


A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z


A

AHRB (2004) Arts and Humanities Research Board, Report on the AHRB's Support of University Museums and Galleries, AHRB Board of Management. 

Allen, S. (2002) Looking for learning in visitor talk: a methodological evaluation in Learning Conversations in Museums, 2002. eds. Leinhardt, G., Crowley, K., Knutson. K. Mahwah, New Jersey: Lawrence Erlbaum Associates Inc.

Anderson, D. (2002) The Educational Purpose of Museums. Keynote Address at the 1st Annual Japanese Museum Education Conference, Osaka, Japan, 20 January 2002.

Anderson, D. (1997) A Common Wealth: Museums and Learning in the United Kingdom: A Report to the Department of National Heritage. Department of National Heritage, Her Majesty's Stationery Office.

Anderson, D. (1995) Gradgrind driving Queen Mab’s chariot: what museums have (and have not) learnt from adult education, in Museums and the Education of Adults, eds. Chadwick, A. and Stannett, A. Leicester: National Institute of Adult Continuing Education.

Angliss, S. (2006) Voicing opinions, in Museum Practice Summer 2006, pp. 48-49.

Archives Task Force (2002) Scholarship and Learning: A think piece report for Resource. The Council for Museums, Archives and Libraries on behalf of the Department for Culture, Media and Sport. http://www.mla.gov.uk/resources/assets//A/atf_res03_pdf_5568.pdf

Arnold-Foster, K. (2001) Higher Education Institutions, Museums, Galleries and Collections.

Arnold-Foster, K. (1993) Held in Trust: Museums and Collections of universities in Northern England HMSO.

Arnold-Foster, K. and Weeks, J. (2001) A review of museums and collections of higher education institutions in the eastern region  and the south east region of the south eastern museums service. South Eastern Museums Service.

Ashton, P (1997) Learning together - an exploration of how students use each other as a resource for learning in G Gibbs (ed), Improving Student Centred Learning through Course Design, Oxford: Oxford Centre for Staff development.

Avann, M. and Wood, K. (1980) Theory into practice in User Education in Art and Design: Theory into Practice. Art Libraries Society.

B        Back to top

Bailey, S. (2002) Student approaches to learning in fashion design: a phenomenographic study, Art, Design and Communication in Higher Education, 1:2, pp 81-95.

Ball, L. (2002) Preparing graduates in art and design to meet the challenges of working in the creative industries: a new model for work, Art, Design & Communication in Higher Education, Vol One, Number One, pp 10-24.

Ball, L. (2000) A Model for Personal and Professional Development in Art and Design, in Bourner, T, Katz, T and Watson, D, New Directions in Professional Higher Education, SRHE: Open University Press.

Ball, L. (2000) Encouraging Graduates to Business Start Up in Bourner, T, Katz, T and Watson, D, New Directions in Professional Higher Education, SRHE: Open University Press.

Barry, A. (2006) Creating a virtuous circle between a museum’s on-line and physical spaces, in Museums and the web 2006: proceedings, eds. J. Trant and D. Bearman. Toronto: Archives & Museum Informatics, published March 1 2006 at http://www.archimuse.com/mw2006/papers/barry/barry.html, November 2006.

Biggs, J. (1999) Teaching for Quality Learning at University, Buckingham: SRHE/Open University Press.

Biggs, J. and Collis, K. (1982) Evaluating the Quality of Learning: the SOLO Taxonomy, New York: Academic Press.

Boud, D., Cohen, C. and Sampson, J. (2001) Peer Learning in Higher Education, London: Kogan Page Ltd.

Boud, D. (1998) Developing Student Centred Learning & Autonomy, 2nd edition, Kogan Page.

Boud, D. and Feletti, G. (eds) (1994) The Challenge of Problem Based Learning, 2nd edn, London: Kogan Page.

Boud, D. and Feletti, F. (1991) The Challenge of Problem-Based Learning, Kogan Page.

Boud, D., Keogh, R. and Walker, D. (1985) Reflection: Turning Experience into Learning, London: Kogan Page.

Boud, D. (1981) Developing Student Autonomy in Learning. London, Kogan Page.

Bourdieu, P. (1984) Distinction: A Social Critique of the Judgement of Taste. Cambridge, MA, Harvard University Press.

Bourdieu, P., Darbel A. et al. (1991) The Love of Art: European Art Museums and their Public. C. Beattie and N. Merriman. Stanford, CA, Stanford University Press.

Bowden, J. (2000) The nature of phenomenographic research, in Bowden, J and Walsh (eds), Phenomenography, Melbourne: RMIT University Press, pp 1 - 18.

Bowen, J. and Filippini-Fantoni, S. (2004) Personalisation and the Web from a Museum Perspective in Museums and the Web: proceedings 2004 at http://www.archimuse.com/mw2004/papers/bowenr/bowen.html, 4 November 2006.

Boyer Commision (1977) Reinventing Undergraduate Education: A Blueprint for America’s Research Universities.

Brigden, A. (2001) Dyslexia in HE art and design: a creative opportunity. Paper at 5th BDA International Conference (unpublished) www.bdainternationalconference.org/2001/presentations/fri_s6_d_13.htm

Britain, S. and Liber, O. (1998) A framework for pedagogical evaluation of virtual learning environments, (online) University of Wales. Available from http://www.jisc.ac.uk/uploaded_documents/jtap-041.doc 

Brockbank, A. and McGill, I. (1998) Facilitating Reflective Learning in Higher Education, Buckingham: SRHE and Oxford University Press.

Brookfield, S. (2006) The Skillful Teacher. San Francisco: Jossey Bass.

Brookfield, S. (1995). Adult learning, an overview in A. Tuinjman, ed., International Encyclopaedia of Education. Oxford: Pergamon Press. http://www.fsu.edu/~elps/ae/download/ade5385/Brookfield.pdf  12 March 2007.

Brookfield, S. (1986) Understanding and Facilitating Adult Learning. San Francisco, Josey Ban.

Brookfield, S. (1983) Adult Learners, Adult education and the Community. Milton Keynes, Open University Press.

Brown, A. L. (1992) Design Experiments: Theoretical and Methodological Challenges in Creating Complex Interventions in Classroom Settings, Journal of the Learning Sciences, 2:2, pp 141-78.

Brown, J. S. and Duguid, P. (1999) The Social Life of Information, Harvard Business School Press. Boston.

Brown, L. (1995) Why should adult educators use museums? in Museums and the Education of Adults, eds. Chadwick, A. and Stannett, A. Leicester: National Institute of Adult Continuing Education.

Brown, S. and Knight, P. (1994) Assessing Learners in Higher Education, London: Kogan Page.

Buchanan, M. (1995) Making art and critical literacy: a reciprocal relationship in Prentice, R. ed. Teaching art and design: addressing issues and identifying directions. London: Cassell Education, 29-49.

Buchanan, R. (1998), 'Education and professional practice in design', Design Issues 2:14.

Buchanan, R. and Margolin, V. (1995) Discovering Design: explorations in design, University of Chicago Press.

Buzan, T. (1995) The Mind Map Book, London: British Broadcasting Corporation.

C        Back to top

Caban, G. (2005) Inclusive Design and Museums. www.hhrc.rca.ac.uk/programmes/include/2005/proceedings/pdf/cabangeoffrey.pdf. February 2007.

Caban, G. (2002) Design learning in museums Museums and Creativity: A Study into the Role of Museums in Design Education. G. Caban, C. Scott, J. H. Falk and L. D. Dierking. Sydney, Australia, Powerhouse Museum.

Caban, G. and K. Trigwell (1991) Initiating a New Design Curriculum, Designing Change 8-23.
 
Caban, G. and J. Wilson (2002) Understanding Learning Styles: Implications for Design Education in External Settings Enhancing Curricula: Exploring Effective Curricula Practices in Art, Design and Communication. Royal Institute of Architects.

Cardoso Denis, R. (1999) Teaching by Example: Education and the Formation of South Kensington's Museums. A Grand Design - A History of the Victoria and Albert Museum. Baker, M. and Richardson, B.  London, V&A Publications.

Chayutsahakij, P (2002). In Overview, Visible Languages, Special Issue: An Annotated Design Research Bibliography; by and for the design community. Vol 36, Numb 2, pp 7.

Caban, G. et al. (2000) Design learning in museum settings: towards a strategy for enhancing creative learning among design students, (Student Centred Learning) Open Museum Journal 2: Unsavoury Histories, August 2000.

Carr, D. (1990) The adult learner in the museum in Solinger, J. ed. 1990. Museums and Universities: New Paths for Continuing Education. London: Collier Macmillan Publishers for the National University Continuing Education Association.

Clews, D. (2003) Imaging in Education: imaging in preliminary level studio design technology projects, Art, Design & Communication in Higher Education, Vol 2, Nos 1 and 2, pp 7-28.

Clews, D. (2001) Technologia, Techne and the Teaching of Design, AEE 2001, http://cebe.cf.ac.uk/aee/sessions/dis4b.html 

Cowan, J (1998) On Becoming an Innovative University Teacher: Reflection in Action, Buckingham: Open University Press

Crimp, D. (1993) On the Museum's Ruins. Cambridge, MA Massachusetts Institute of Technology.

Cross, N. (1991) Research in Design Thinking Design Studies 12: 3-10.

Csikszentmihalyi, M. and Hermanson, K. (1995) Intrinsic learning in museums: why does one want to learn? in Hooper-Greenhill, E, ed. 1999 The Educational Role of the Museum. London: Routledge, 146-160.

Csikszentmihalyi, M. and K. Hermanson (1995) Intrinsic Motivation in Museums: What Makes Visitors Want to Learn? Museum News: 35-38.

D        Back to top

Dallow, P. (2003) Representing creativeness: practice-based approaches to research in creative arts, Art, Design & Communication in Higher Education, Vol 2, Nos 1 and 2, pp 49-66.

Davies, A. (2000) Uncovering problematics in art and design teaching and assessment, in C ruse (ed), Improving Student Centred Learning through the Disciplines, Oxford: Oxford Centre for Staff Development, pp 112-16.

Davies, T. and Worrall, P. (2002) Towards the development of electronic learning and online tools: an experimental approach to specialist teacher education (art and design), Art, Design & Communication in Higher Education, Vol 2, No 3.

Davis, J. and Gardner, H. (1990) Open windows, open doors, in Hooper-Greenhill, E, ed. 1999 The Educational Role of the Museum. London: Routledge, 99-104.

Demirbas, O., O.  and H. Demirkan (2003) Focus on Architectural Design Process Through Learning Styles, Design Studies 24(5): 437-456.

Material and Cultural Property Division (2005) Understanding the Future: Museums and 21st Century Life. DCMS, HM Stationery Office.

Department for Education and Employment (1997) Connecting the Learning Society, The Stationery Office. 

Department for Education and Skills (2004) Five Year Strategy for Children and Learners: putting people at the heart of public services. The Stationery Office.

Dierking, L. (1992) Contemporary Theories of Learning in Developing Museum Exhibitions for Lifelong Learning, ed. Durbin, G. 1992. Norwich: The Stationery Office for the Group for Education in Museums, 25-29.

Dierking, L. and Falk, J. (1998) Understanding free-choice learning: a review of the research and its application to museum web sites.  Proceedings of Museums and the Web: An International Conference April 22-25, 1998; Toronto, Canada. http://archimuse.com/mw98/papers/dierking/dierking_paper.html 24 March 2007.

Doering, Z. and Pekarik, A. (1996) Questioning the Entrance Narrative, Journal of Museum Education, 21 (3), 20-22.

Drew, L., Bailey, S. and Shreeve, A. (2002) Fashion Variations: student approaches to learning in fashion design, in A Davies (ed), Enhancing Curricula: Exploring effective curriculum practices in art, design and communication in Higher Education, London: Centre for Learning and Teaching in Art and Design, pp 179-98.

Drew, L., Bailey, S. and Shreeve, A. (2001) Phenonemographic research methodological issues arising from a study investigating student approaches to learning in fashion design, paper presented to 'Higher Education Close Up 2' conference, University of Lancaster, July 2001 at http://www.leeds.ac.uk/educol/documents/00001770.doc 

Drew, L. (2000) A disciplined approach: learning to practice as design teachers in the University, paper presented at 'Reinventing Design Education' Conference, Curtin University, Perth, Australia.

Drewitt, E. (2006) Museum family trails: What do families really think about them? (unpublished evaluation report, Bristol City Museum and Art Gallery).

Durbin, G. (1989) Improving worksheets in Hooper-Greenhill, E. ed., The Educational Role of the Museum. London: Routledge, 92-98.

Durling, D., Cross, N. and Johnson, J. (1996) Personality and learning preferences of students in design and design-related disciplines. Proceedings of IDATER 1996 conference, Loughborough: Loughborough University.

Dutton, A. et al (1991) Voices in Architectural Education, New York and London: Bergin and Garvey.

E        Back to top

Edwards, H. and Miles, J. (2004) Seeing and Making: An Enquiry into the Nature and Place of Creative Writing within the Context of MA Practice and Dissertations, Centre for Learning and Teaching in Art and Design (CLTAD) second international conference, Barcelona.

Edwards, H. (2004) Art and design students employing aspects of the visual and metaphoric to structure and create meaning in writing', Art, Design & Communication in Higher Education, 3:2.

Eggleston, J. (1998) Learning through making - a national enquiry into the value of creative practical education in Britain, Executive Summary, London: Crafts Council.

Ekarv, M. (1999) Combating redundancy: writing text for exhibitions’ in Hooper-Greenhill, E, ed. 1999. The Educational Role of the Museum. London: Routledge.

Entwistle, J. J. (1997) Contrasting perspectives on learning' in The Experience of Learning, (2nd Edition), Edinburgh: Scottish Academic Press.

Entwistle, J. J. and Ramsden, P. (1983) Understanding Student Centred Learning, London: Croom Helm.

Eraut, M. (1994) Developing Professional Knowledge and Competence. London: Falmer Press.

Etterna, M. (1997) Instilling Values: Design and Responsible Cultural Institutions Design and Cultural Responsibility. J. Williamson, Cranbrook Academy of Art.


F        Back to top

Falk, J. (2002) The Contribution of Free-Choice Learning to Public Understanding of Science " Interciencia 27(2): 62-65.

Falk, J. (2001) Personal Meaning Mapping Annapolis, Maryland, USA, Institute for Learning Innovation. 

Falk, J., and Dierking, L. (2000) Learning from Museums, Walnut Creek: Altamira Press.

Falk, J. and L. Dierking (1998) Free-Choice Learning: An Alternative Term to Informal Learning? Informal Learning Environments Research Newsletter 2(1-2).

Falk, J. and L. Dierking (1992) The Museum Experience. Washington, DC, Whalesback Books. 

Fisher, T. (1997) The Designer's Self-Identity - Myths of Creativity and the Management of Teams, Creativity and Innovation Management, 6:1 (March), pp 10-18.

Fisher, S. (2006) Researching Students' and Tutors Use of Museum Collections at the V&A, Centre of Excellence in Teaching and Learning through Design, Unpublished. 

Fisher, S. (2005) An Evaluation of Learning on the Move and Science Navigator. Using PDAs in Museum, Heritage and Science Centre Settings. National Endowment for Science, Technology and the Arts.

Fisher, S. (1998) The British Galleries project at the V&A: are people in tune with the new plans for the interpretation? Qualitative research with visitors and non-visitors (unpublished) http://www.vam.ac.uk/files/file_upload/5801_file.pdf 28 February 2007.

Frand, J. L. (2000) The Information Age Mindset: changes in students and implications for higher education, Educause.

Frayling, C. (ed) (1997) Report of the working party on practice-based doctorates in creative and performing arts, Lichfield, UK: United Kingdom Council for Graduate Education.

French, D., Hale, C., Johnson, C. and Farr, G. eds. (1999) Internet Based Learning; an introduction and framework for higher education and business. London: Kogan Page.

Friedman, K. (1997) Design science and design education in McGory, P (ed), The challenge of complexity, Helsinki: University of Art and design, UIAH, pp 54-72.

G        Back to top

Galle, P. (ed) (2002) Special issue on philosophy of design, Design Studies, 23 (3) (May), pp 211-361.

Gibbons, M., Limoges, C., Nowotny, H., Scott, P., Schwartzman, S. and Trow, M. (1994) The New Production of Knowledge: The Dynamics of Science and Research in Contemporary Societies, London: Sage Publications.

Gilbert, A. and Foster, S. (2001) Experiences with Problem-based Learning in Business and Management: The Challenge of Problem-based Learning, London: Kogan Page.

Gordon, J. (2004) The 'wow' factors: the assessment of practical media and creative arts subjects, Art, Design & Communication in Higher Education, Vol 3, No 1, pp 61-72.

Gow, L. & Kember, D. (1993) Ceonceptions of teaching and their relationship to student learning British Journal of Educational Psychology, 63, pp 20-33.

Graves, J. and Steffert, B. (2001) Visual Spatial Ability and Dyslexia Research Project, London: University of the Arts London.

Gray, C. and Malins, J. (2004) Visualising Research: A guide to the research process in art and design, London, Ashgate.

Grosling, G. and Webb, G. (eds) (2002) Supporting Student Centred Learning: Case Studies, Experience and Practice from Higher Education, London: Kogan Page.

Grove-White, A., Dewdney, A. and Heatly, R. (1999) What's theory got to do with practice? A study into the relationship between theory and practice in professional visual media education, in Graal, M and Clark, R (eds), Partnerships across the Curriculum, Leicester: University of Leicester Press.

H        Back to top

Ham, S. (1983) Cognitive psychology and interpretation: synthesis and application in Hooper-Greenhill, E, ed.,The Educational Role of the Museum. London: Routledge. 161-171.

Hamilton, P. (2004) Research in progress: the printmaking studio of the future in higher education?, Art, Design & Communication in Higher Education, Vol 2, No 3, pp 67-81.

Harris, N. (1991) The Focus Group Experiment in a Historical Context. Malibu, CA, The John Paul Getty Trust.

Harvey, L. and Knight, P. (1996) Transforming Higher Education. Buckingham: Society for Research into Higher Education and Oxford University Press.

Hatt, F. (1980) Towards a rationale for library user education in art and design, in Avann, M. and Wood, K. eds., User Education in Art and Design: Theory into Practice. Art Libraries Society, 8-10.

Hawkey, R. (2004) Learning with digital technologies in museums, science centres and galleries. Futurelab Report 9. http://www.futurelab.org.uk/research/lit_reviews.htm

HEFCE (2006) Intellectual property rights in e-learning programmes.

HEFCE (2005) Sustainable development in higher education: Consultation on a support strategy and action plan.

Heim, M. (2000) The Cyberspace Dialectic in Lunefeld, P. (ed), The Digital Dialectic: New Essays on New Media, Cambridge, Massachusetts/London, England: The MIT Press.

Hein, G. (1998) Learning in the Museum. London, New York: Routledge.

Hein, G. (1997) A Reply to Mile's Commentary on Constructivism, Visitor Behaviour XII (3&4): 14-15.

Hein, G. (1995) Evaluating Teaching and Learning Museum, Media, Message. E. Hooper-Greenhill. London: Routledge.  

Hein, G. (1991) Active Assessment for Active Science Expanding Student Assessment. V. Pernone. Alexandria, VA, Association for Supervision and Curriculum Development.
 
Hein, G. (1991) Constructivist Learning Theory The Museum and the Needs of People ICOM/CECA, Jerusalem, Israel.

Heller, S. (ed) (1998) The Education of a Graphic Designer, New York: Allworth Press.

Higher Education Design Quality Forum Development Framework (2001) Available from: http://www.architecture.com/go/Architecture/Debate/Forums_2733.html

Hirschi, K. and Screven, C. (1988) Effects of questions on visitor reading behaviour in Developing Museum Exhibitions for Lifelong Learning, ed. Durbin, G. 1992. Norwich: The Stationery Office for the Group for Education in Museums, 189-192.

Hooper-Greenhill, E. and T. Moussouri (2001) Researching Learning in Museums and Galleries 1990 - 1999: A Bibliographic Review. Leicester Research Centre for Museums and Galleries.

Hooper-Greenhill, E. (1999) Education, Communication and Interpretation. The Educational Role of the Museum E. Hooper-Greenhill. London/New York, Routledge.

Hooper-Greenhill, E. (1999) Learning in Art Museums: Strategies of Interpretation The Educational Role of the Museum Routledge. 

Hooper-Greenhill, E. (1999) Preface. The Educational Role of the Museum. E. Hooper-Greenhill. London/New York, Routledge.

Hooper-Greenhill, E. (1997) Museum Learners as active post-modernists: contextualisng constructivism, Journal of Education in Museums (18): 1-3.

Hooper-Greenhill, E. (1992) Museums and the Shaping of Knowledge. London, Routledge. 

Hooper-Greenhill, E. (1992) Museum Education’ in Manual of Curatorship, ed. John Thompson. London: Butterworths, 670-689.

Hooper-Greenhill, E. (1991) Museum and Gallery Education. Leicester, Leicester University Press.

Hsi, S. (2004) I-guides in progress: two prototype applications for museum educators and visitors using wireless technologies to support informal science learning in Wireless and Mobile Technologies in Education, 2004. Proceedings, The 2nd IEEE International Workshop on wireless and mobile technologies in education.

Hsi, S. (2002) Evaluation of Electronic Guidebook Mobile Web Resources from www.exploratorium.edu/guidebook/eguide_exec_summary_02.pdf October 2006.

Hyde-Moyer, S. (2006) The PDA tour: we did it, so can you’, in Trant, J. and Bearman, D. eds. Museums and the Web 2006: Proceedings. Toronto: Archives and Museum Informatics, published March 1, 2006 at http://www.archimuse.com/mw2006/papers/hyde-moyer/hyde-moyer.html, 4 November 2006.

I, J        Back to top

Inspectorate of Schools (England), 1993. The use of museums and galleries in higher education 1 January 1991 – 31 July 1992; a report by HMI. Great Britain, Department for Education, Her Majesty’s Inspectorate.

Jackson, B. (1998). "Evaluation of Learning Technology Implementation " Learning Technology Dissemination Initiative.

Jackson, B (1995), 'Assessment practices in art and design: a contribution to student centred learning?' in Gibbs, G (ed), Improving Student Learning through Assessment and Evaluation (online), Oxford: Oxford Centre for Staff Development, available from http://www.city.londonmet.ac.uk/deliberations/ocsd-pubs/islass-jackson.html 

Jacques, D (2000), Learning in Groups, a handbook for improving group work, 3rd edition, London: Kogan Page

Jenkins, A. and Zetter, R, (2003). Linking Research and Teaching in Departments. LTSN Generic Centre

Jensen, N. 1982. ‘Children, teenagers and adults in museums: a developmental perspective’ in Hooper-Greenhill, E, ed., 1999 The Educational Role of the Museum. London: Routledge, 110-117.

JISC (Joint Information Systems Committee) 2005. Innovative practice with e-learning: a good practice guide to embedding mobile and wireless technologies into everyday practice. JISC.

JM Consulting (2001). Interactions between research, teaching, and other academic activities. Higher Education Funding Council for England

Jones, D. 1995. ‘The adult learner’, in Museums and the Education of Adults, eds. Chadwick, A. and Stannett, A. 1995. Leicester: National Institute of Adult Continuing Education.

Joseph, F (2002). Designing Britain 1945-1975 The Visual experience of Post-War Society Art, Design & Communication in Higher Education: the Journal of the UK Learning and Teaching Support Network's Subject centre for Art, Design & Communication. Vol.12

K        Back to top

Kelly, M. 1999. The Management of Higher Education Museums, Galleries and Collections in the UK. Bath: University of Bath School of Management.

Kember, D (1997), 'A reconceptualisation of the research into university academics' conceptions of teaching', Learning and Instruction, 7, pp 255-75

Khan, P and O'Rourke, K (2005), 'Understanding Enquiry-based Learning' in Barrett, T, Mac Labhrainn, I, Fallon, H (eds), Handbook of Enquiry and Problem Based Learning, Galway, CELT

Kimbell, R, Saxton, J, Miller  S (2000), Design Skills for Work, Technology Education Research Unit, Report, Goldsmiths College, University of London/Design Council

Kirk, R. and Battersby, R. ‘Case study: Time and Tide’, Museum Practice, Summer 2006, 50.

Kolb, D (1984), Experiential Learning: Experience as the Source of Learning and Development, New Jersey: Prentice-Hall Inc.

Koroscik, J. et al. 1992. Frameworks for understanding art: the function of
comparative art contexts and verbal cues. Studies in Art Education 33, (3) 154 - 164.

Krippendorff, K (1996), 'On the essential contexts of artefacts or on the proposition that "Design is Making Sense (of Things"', in Margolin, V B and Buchanan, R (eds), The Idea of Design, London: MIT Press, pp 156-86

Kvan, T (2001), 'The Pedagogy of Virtual Design Studios', Automation in Construction, 10:3, pp 345-53

Kvan, T. and J. Yunyan (2004). "Students' Learning Styles and the Correlation with Performance in the Architectural Design Studio." Design Studies 26(1).

L        Back to top

Laing, S (2002), 'Creativity, Professionalism and Culture - beyond benchmarking', Art, Design & Communication in Higher Education, Vol 1, No 2

Lahti, H, Seitamaa-Hakkarainen, P and Kahharainen, K (2003), 'Piloting Participatory Designing within a Collaborative Learning Environment', Journal of Interactive Learning Research, 14:2, pp 185-207

Laurillard, D (1993), Rethinking University Teaching - a Framework for the Effective Use of Educational Technology, London: Routledge

Lawrie, S (2004), 'We have a lot to talk about: dialogue journals in graphic design education', Art, Design & Communication in Higher Education, 3:2, pp 81-87

Lawson, B (1990), How Designers Think; the Design Process Demystified, 2nd edn, Cambridge: Cambridge University Press

Leadbeater, C (2004). ‘Learning and Personalisation: how can we put the learner at the heart of the education system’. DEMOS/DfES

Leadbeater, C and Oakley, K (1999), The Independents - Britain's New Cultural Entrepreneurs, London: Demos/ICA/Smith Institute

Leinhardt, G., Crowley, K., Knutson, K., eds., 2002. Learning Conversations in Museums, Mahwah, New Jersey: Lawrence Erlbaum Associates Inc.

Leinhardt, G., Tittle, C., Knutson, K., 2002. ‘Talking to oneself: diaries of museum visits’ in  Learning Conversations in Museums, 2002. eds., Leinhardt, G., Crowley, K., Knutson. K. Mahwah, New Jersey: Lawrence Erlbaum Associates Inc. 103-133.

Levene, M. and  Peterson, D. 2002. Trail Records and Ampliative Learning Research Report, School of Computer Science and Information Systems, University of London. http://www.dcs.bbk.ac.uk/~mark/download/trail_epistemics.pd

Lloyd, P S (1994), 'Discovering the Design Problem', Design Studies, 15:2, pp 125-40

Lockheart, J (2003), Writing Purposefully in Art & Design Primer Report, London: Higher Education Funding Council for England, Fund for the Development of Teaching and Learning, phase 4 project. http://www.writing-pad.ac.uk 

Lockheart, J, Edwards, H, Raein, M,Raatz, C (2004), Writing Purposefully in Art and Design (Writing PAD), Art, Design & Communication in Higher Education, 3:2

M        Back to top

MacDonald, S. 1992. ‘The influence of visitors’ preconceptions on their experience of exhibitions’ in Developing Museum Exhibitions for Lifelong Learning, ed. Durbin, G. 1992. Norwich: The Stationery Office for the Group for Education in Museums.

Margolin, V (1998), 'Design Studies: A Proposal for a New Doctorate', in S Helkler (ed), The Education of a Graphic Designer, New York, Allworth Press, pp 163-70

Margolin, V & Buchanan, R (1996), The Idea of Design, A Design Issues Reader, MIT Press

Margolin, V (1994), 'The age of communication: a challenge to designers', Design Issues, 1:10, pp 65-70

Marsh, C. (1996). "Visitors as Learners: The Role of Emotions " About Learning: A Field Guide for Museums.

Marshall, S (1999), 'Supervising Projects and Dissertations' in Fry, H, Kettering, J and Marshall, S (eds), A Handbook for Teaching and Learning in Higher Education: Enhancing Academic Practice, London: Kogan Page

Martin, D. ‘Audio guides’, Museum Practice, Summer 2006, 72-74.

Martin, L. (1996). "Learning in Context " About Learning: A Field Guide for Museums.

Marton, F and Booth, S (1997), Learning and Awareness, Mahway, NJ: Lawrence Erlbaum

Marton, F (1997), The Experience of Learning: Implications for Teaching and Studying in Higher Education, 2nd edition, Edinburgh: Scottish Academic Press

Marton, F (1992), 'Phenomenography and "the art of teaching all things to all men"', Qualitative Studies in Education, 5, pp 253-67

Marton, F & Saljo, R (1976), 'On qualitative differences in learning: (i) outcome and process', British Journal of Educational Psychology, 46, pp 4-11

Matthew, M. 1987/8. ‘Adult learners’, in Developing Museum Exhibitions for Lifelong Learning, ed. Durbin, G. 1992. Norwich: The Stationery Office for the Group for Education in Museums.

McCarthy, B. 1980. ‘The 4MAT systems: teaching to learning styles with right/left mode technique, in The Sourcebook 1989, Washington, DC: American Association of Museums.

McKenna, S E (1999), 'Theory and practice: Revisiting critical pedagogy in studio arts education', Art Journal, 58:1, pp 75-79

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